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Poetry
Writing
poetry was the first type of creative writing that Cristina
ever engaged in. Her early poems were the
content of homemade birthday and anniversary cards for
family and friends.
Later,
she found her true poetic voice in college, sharing her verse for the
first time in 1997 at a live, on-air broadcast of WXPN’s “Live from the
Writer’s House” hosted on the campus of the University of
Pennsylvania. It was the audience’s enthusiastic reaction to
those three poems that exhilarated her and made her want to continue to
write poetry..
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I Found It!
The University of Pennsylvania's Writer's House
maintains an audio file archive where I tracked down
a recording of my first ever public poetry reading. Click
here to
listen to "Readymade" - written and performed the 22nd of
March 1997. |
Experimental and geared to the spoken voice, below Cristina shares some of her
recently published poetry. Enjoy!
The New Border
We’re working in a world that
seems to be manufactured on decoder-ring methodology.
Everything is cryptically
simple but unnecessarily complicated.
People don’t speak frankly, but in small circles of logic
that wind up getting us nowhere.
So here we are, without progress, feeling somewhat
disappointed.
If half the fun is getting there
And we go nowhere
Where’s the fun in that?
I’m not inspired anymore by what’s out there.
The passion is gone.
Revolutions are requested via email or text message and the
real voice is muted.
Some say we’re louder with this technology:
The-email-heard-around-the-world type of impact.
But it’s harder to connect when the only sound
Is the ticker-tacking of my fingers on the keyboard.
I wouldn’t even question any of this except
I miss your voice
And was wondering why we never talk,
Only connect.
I feel like I missed something when I got online.
Someone assigned me a UNIX account
I asked others for their addresses and so we started the
dance:
AOL, Yahoo, Hot Mail, G-mail.
The carousel keeps circling by.
The same strange horse faces distorted by mechanical music.
We’re all pretending its fun but wondering when we can get
off.
But we can’t because whenever we stop
The cursor is blinking and we must press on.
Even ending this poem is difficult.
I have no more words but the cursor keeps asking “What’s
next?”
What’s next?
What’s next?
What’s next?
Copyright 2009
Cristina T. Lopez
Closer
Carry the stroller up the
stairs,
Take off her coat then mine,
Set her up with Cheerios, a book and some crayons,
We’re already into a reading from St. Paul and I try to give
an ear
But it’s hard to hear with her stomping in the pew greeting
our neighbors behind with a wave and a smile.
Then she’s off.
Eighteen months and her joy is roaming the foyer of the
church in black, patent leather Mary Jane shoes,
Every crevice of Mary’s gown a place to dip her finger.
Every plant and flower a jungle to explore.
Every parishioner who made it to 12 o’clock mass her
audience.
I look at the altar, a million miles away, bathed in the
tranquility and ritual of the Mass.
I am far from it, far from God despite being in his “house”
as I always tell her when we get ready for church.
Between the holding, the chasing, the clutching, the
soothing and the carrying
God’s voice is a quiet, gentle whisper,
Hard to hear with so many distractions,
Hard to distinguish as she’s trying to take off her shoes,
grab the woman’s hair, tear pages from a missal.
Back in our seats, I try to pray but end up wishing
To get through mass with no more yelling the names of
letters she recognizes in her picture book.
The innocent question of “What’s this?” for every object she
is seeing for the first time.
I close my eyes to ask God for patience.
She tires easily and goes to her thumb for comfort.
To soothe her and hold her close is to smell her soft hair.
“Mama?” she prods me and I look at her.
She is in my hands in every way.
God has given her to me
And when she asks me for my help,
It is God’s voice that is trying to make its way to my ear.
It is His voice trying to pull me closer.
I hear, “May almighty God bless you…”
And I know He already has.
Copyright 2009 Cristina
T. Lopez |